Assassin's Creed: Vahalla isn't about the Norse gods, but about the people who brought their stories to life. It shows that there's a thin line between gods and humans, and how it can sometimes be blurry and interchangeable.
Assassin's Creed Valhalla review
To begin with, Assassin’s Creed Valhalla feels like a competitive RPG that challenges you to explore the vast territories of Norway and England. As you explore, you’ll uncover the world’s secrets and the enigmatic local legends.
Each region is different in a way that seems to be more than just a change in aesthetic, ranging from different clothing and people. But there is also a difference in culture and this shines brightest when you travel to England for the first time. The game has a lot to offer in terms of content and there is never a dull moment. The closer you look at the core elements of the game, the more it helps to discover new things. There is endless potential for Assassin's Creed Valhalla and everything seems to hit the mark.
The best thing you can say about Assassin’s Creed Valhalla is that it completely ignores Ubisoft’s tried and tested formulaic approach to success. The game dares to express itself and in that you see the art come to life. Playing this game took me back to my very first Assassin’s Creed memory, where I was immersed in this new world.
